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John Schiavo Campo

E 'born June 22, 1960 in Milan, where he lives and works today as an independent contributor to various periodicals and art critic. As a poet, after the fold "The herds of the Sun" (Monza 1988), began with "The gold and the fire" (Under the gold fish in Vanni Scheiwiller, Milan 1995). There has, however, between the scattered references to published anthologies and magazines: "Year 2", Supplement No. 2 "Finisterre", "Row" (1993) "World Youth / poetry world," retrospective exhibition of the City of Milan by Biagio Cepollaro and Giancarlo Majorino (1993), "Anterem - Scriptures of the end Twentieth Century" (Verona 1998). Individual poems have appeared in exhibition catalogs and other publications in collaboration with artists from several printed volumes Alberto Casiraghi for editions of The Pulcinoelefante Osnago interventions with the same visual Casiraghi, Paolo Schiavocampo, his father a sculptor, and Lamberto Correggiari; a folder of graphics sculptor Giancarlo Bulli (Persezioni "1991)," And the blackbird? "poetry with its translation in French accompanied by an etching and aquatint by Gino Gini (The books of the Blackbird, The Laboratory, Nola 2005); LAMINETTE engraved and other unique examples of the artist's wife, Jelica typical '. Major theoretical interpretation of a fragment Heraclitus' ("What does not hide the oracle," Manocomete 3 December 1995) and, from a drawing poetic intervention "Timepieces: fragments on the sign as a guide" published in the proceedings of the conference "Scripture and reality - comparing languages \u200b\u200band disciplines "by MilanoCosa (Milan 2000). It forms part of a complex theoretical path, at least in part known, also conducted through the translation from the ancient greek: fragments of Heraclitus, and Empedocles, in whole, the book of Parmenides, whose version is available online *. The result of a search-graph visual undertaken in recent years, guided by the hexagrams of the I Ching, the Chinese millennial prophecy, and aimed at the graphics of the book is rather "Ausa" (2006), experiment in self-publishing with a score of more recent texts to be reproduced by electronic means, both now in version made with the technique of engraving zinc plates (photo-engraving and etching) in 30 copies, signed and numbered, printed and bound by hand by the author.

* http://cerchioazzurro.blogspot.com/

Long Dong Silver Falcon

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Investments like art. Back to the confidence on the contemporary. More

According to the analysis of the responses from 134 members a prominent international contemporary art market, confidence would rise slightly above the levels recorded in November 2007 , immediately after the emergence of the first signs of financial crisis. Since the last reading of indicators (June 2009) 's Economic Indicator increased from 28 to 58, signaling increased confidence in the process financial recovery, although there are reservations about its strength and sustainability . The
confidence indicators relating to primary and secondary markets are both on the rise (increased from 23 to 58 and 33 to 58), supported by the significant results of the first fairs as Frieze, Art Basel Miami and FIAC, the the second remarkable auctions winter (the Contemporary Art Evening Sale at Sotheby's New York in November has in fact accounted for $ 134,438,000, net of fees, against an estimate of pre-enchantment of $ 68.78000000 to 98.9000000) . Sergey Skaterschikov - author of "Skate's Art Investment Handbook" - in an interview at Art Tactic, it was said very optimistic. The analyst expects for 2010 a general recovery in all segments of the market and "some very interesting developments in infrastructure, with particular reference to the fair. "We expect that the fairs will continue to have good results. As the number of those who participate actively in the market grew, trade fairs play a major role in collecting and updating collectors than new supply."

- Alessandro Lorenzetti, Il Sole 24 ore, Plus24, February 13, 2010

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design to business value

The role of designers has always been to translate and communicate the value a 'business idea to consumers. The best designers can do much more. can help companies to establish a dialogue with consumers that allows you to innovate more efficiently .

Designers must not merely synthesize aesthetics and functionality. E ' their task to understand the emotional and thought processes of consumers in order to justify the change .

It is no coincidence that many of the world's top brands are also a leader in the design field. The design is a key aspect in the creation of a and in ' experience of luxury, of' exclusivity , of \u200b\u200b'belonging Tribal . Consumers who purchase these products often choose them because they represent a part of themselves (or what would be).

say that design is critical to the success of a business' enterprise does not mean that every penny invested in the design is well spent. Its presence should permeate all business functions .
The great designers are visionaries who create value knows no limits in the minds of consumers . They represent a group of individuals capable of see the world through different eyes.

- Deepa Ravi Sawhney and Prahalad, Business Week, February 1, 2010

Read the article integral in the original language on The Art Reader